Making The Record Part 2: Overdubs and Mixing

Previous: Part 1: Tracking

This will probably be the least interesting of this series of posts about the production of our new record. Consider yourself warned…

After the 5 days of tracking at Studio GXM, we were exhausted but happy, we had 12 tunes, with multiple takes of each, and two free-improvised pieces in the can. I moved everything to a portable hard drive, and brought the full session, about 50 GB of audio files, back to my home studio, The Blinky Room. Or, if you’re feeling more of an ECM vibe, Tonstudio Blinky. El Blinkarino, if you’re not into that whole brevity thing.


Live photos from Calapooia Brewing, 4/20/2012

We played 4/20 (dude!) at Calapooia Brewing in Albany, and our friend E. J. Harris was there, here are some of the photos he took that night. It was an intense show, and I think that comes through in the pics.

Making The Record, Part 1: Tracking

It’s taken us more than two years of work to get our new studio album done. This is the first of a series of posts on the making of the record.

By 2010, Xenat-Ra had been gigging and rehearsing for 3 years, and we decided it was really time to document what we do. We’d made several attempts to record live shows, and had mixed results, there was some very good material captured, but we weren’t totally satisfied.

We put the best of the live material together into a CD we called, in a fit extreme obviousness, Live. We made the CD very cheaply, just to get something out and hopefully sell enough copiesĀ  to fund producing the studio record. We did a few shows in the spring of 2010 billed as “FUNdraisers”, where we dedicated all of our income from the door and all CD sales to the benefit our recording fund. We were able to raise enough to track the CD, and have a solid foundation for manufacturing the record, thanks to the support of our fans!


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